“边缘”被认为是西尔维亚·普拉斯（Sylvia Plath）曾经写过的最后一首诗。日期为1963年2月5日，即她去世前六天，许多批评家（尽管不是全部）阅读了“ Edge”，这反映了她的绝望和自杀念头。它描绘了一个令人毛骨悚然的场景，其中一个母亲和她的两个孩子躺在一个凝视着无动于衷的月亮下。尽管演讲者声称死亡是“对月球的观点，至少是对诗的疲惫，沮丧和家庭冲突的暗示，都使它成为令人不安的，令人不安的悲剧氛围。“ Edge”首先收集在Plath的死后卷中阿里尔（1965）。
|
得到 利评分 |
 |
“边缘”的全文
“边缘”的全文
“边缘”摘要
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-toggle-drawer>
- 1The woman is perfected.
“边缘”主题
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-modal-title="Theme" data-position="1" data-title="Death and Suicide">
死亡和自杀
该主题出现在诗中：- 第1-20行
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-modal-title="Theme" data-position="2" data-title="The Trials of Womanhood and Motherhood">
女性和孕产的考验
该主题出现在诗中：- 第1-20行
- 1The woman is perfected.
“边缘”的逐线解释和分析
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-position="1">第1-3行
女人是...
...成就的微笑， - 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-position="2">第4-5行
...的幻想
...她的toga， - 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-position="3">第6-8行
她裸露...
... 结束了。 - 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-position="4">第9-11行
每个死的孩子...
...牛奶，现在空了。 - 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-position="5">第12-16行
她已经折叠了...
...夜花。 - 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-position="6">第17-20行
月亮有...
...裂纹和拖拉。
- 1The woman is perfected.
“边缘”符号
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-modal-title="Symbol" data-position="1" data-title="The Moon">
月亮
该符号出现在诗中：- 第17-20行：“月亮没有什么可难过的， /从她的骨头引擎盖上盯着。/她习惯了这种事情。/她的黑人crack啪作响和拖拉。”
- 1The woman is perfected.
“边缘”诗意的设备和象征性语言
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-modal-title="Poetic Device" data-position="1" data-title="Metaphor">隐喻
这首诗中的隐喻出现的地方：- 第2-3行：“她的死 /身体戴着成就的微笑，”
- 第4-5行：“希腊的必要性 /在toga的卷轴上流动的幻想，”
- 第9-11行：“每个死的孩子都盘绕，白色的蛇， /一个在牛奶的每个小 /投手中，现在空着。”
- 第12-13行：“她已经折叠了 /他们回到她的体内”
- 第18-20行：“从她的骨头引擎盖上凝视着。/她习惯了这种事情。/她的黑人crack啪作响和拖拉。”
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-modal-title="Poetic Device" data-position="2" data-title="Assonance">辅助
诗歌中出现辅助的地方：- 第1行：“完美”
- 第2行：“死的”
- 第5行：“流，”，“滚动”，“ toga”
- 第7行：“脚看起来，”“ be”
- 第10行：“小的”
- 第11行：“投手”，“牛奶”
- 第14行：“玫瑰关闭”
- 第15行：“气味”，“流血”
- 第16行：“甜，”，“深”，“喉咙”
- 第20行：“黑人裂纹”，“拖动”
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-modal-title="Poetic Device" data-position="3" data-title="Personification">拟人化
诗歌中拟人化的地方：- 第6-8行：“她的赤脚似乎在说： /我们走得太远，已经结束了。”
- 第17-20行：“月亮没有什么可难过的， /从她的骨头引擎盖上盯着。/她习惯了这种事情。/她的黑人crack啪作响和拖拉。”
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-modal-title="Poetic Device" data-position="4" data-title="Enjambment">求婚
诗歌中出现的地方：- 第2-3行：“尸体”
- 第4-5行：“必要 /流”
- 第6-7行：“赤脚”
- 第10-11行：“小 /投手”
- 第12-13行：“折叠 /它们”
- 第13-14行：“花瓣 /”
- 第14-15行：“花园 /僵硬”
- 第15-16行：“流血 /来自”
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-modal-title="Poetic Device" data-position="5" data-title="Allusion">典故
诗中出现典故：- 第4-5行：“希腊的必要性 /在toga的卷轴上流动的幻想，”
- 第9-11行：“每个死的孩子都盘绕，白色的蛇， /一个在牛奶的每个小 /投手中，现在空着。”
- 第17-20行：“月亮没有什么可难过的， /从她的骨头引擎盖上盯着。/她习惯了这种事情。/她的黑人crack啪作响和拖拉。”
- 1The woman is perfected.
“边缘”词汇
选择下面的任何单词以在诗歌的背景下获取其定义。这些单词按照它们在诗中出现的顺序列出。
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-position="1" data-title="Perfected">完善 - 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-position="2" data-title="Greek necessity">希腊的必要性 - 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-position="4" data-title="Toga">长袍 - 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-position="3" data-title="Scrolls">滚动 - 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-position="5" data-title="Serpent">蛇 - 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-position="6" data-title="Stiffens">僵硬 - 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-position="7" data-title="Her blacks">她的黑人
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-itemized data-modal-title="Vocabulary" data-position="1" data-title="Perfected">（诗中的位置：第1行：“女人完美。”）
- 1The woman is perfected.
“边缘”的形式，仪表和押韵方案
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-modal-title="Form">形式
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false">仪表
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false" data-modal-title="Rhyme Scheme">押韵方案
- 1The woman is perfected.
“边缘”扬声器
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false">
- 1The woman is perfected.
“边缘”设置
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false">
- 1The woman is perfected.
新利18网址“边缘”的文学和历史背景
- 1The woman is perfected.
2Her dead
3Body wears the smile of accomplishment,
4The illusion of a Greek necessity
5Flows in the scrolls of her toga,
6Her bare
7Feet seem to be saying:
8We have come so far, it is over.
9Each dead child coiled, a white serpent,
10One at each little
11Pitcher of milk, now empty.
12She has folded
13Them back into her body as petals
14Of a rose close when the garden
15Stiffens and odors bleed
16From the sweet, deep throats of the night flower.
17The moon has nothing to be sad about,
18Staring from her hood of bone.
19She is used to this sort of thing.
20Her blacks crackle and drag.
" data-highlight-when-focused="false">
- 1The woman is perfected.
更多“边缘”资源
